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	<title>Konrad Wallinger &#187; Minimalism</title>
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	<description>Malerei-Artist-Paintings</description>
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		<title>Freed from its enemy, stopped short</title>
		<link>https://www.konrad-wallinger.at/Archive/1395</link>
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		<pubDate>Mon, 01 Apr 2013 18:01:26 +0000</pubDate>
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				<category><![CDATA[Minimalism]]></category>
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		<description><![CDATA[The field mouse, now that it was freed from its enemy, stopped short; and coming slowly up to the Woodman it said, in a squeaky little voice: Oh, thank you! Thank you ever so much for saving my life. Don&#8217;t speak of it, I beg of you, replied the Woodman. I have no heart, you &#8230;]]></description>
				<content:encoded><![CDATA[<p>The field mouse, now that it was freed from its enemy, stopped short; and coming slowly up to the Woodman it said, in a squeaky little voice: Oh, thank you! Thank you ever so much for saving my life. Don&#8217;t speak of it, I beg of you, replied the Woodman. I have no heart, you know, so I am careful to help all those who may need a friend, even if it happens to be only a mouse. Only a mouse! cried the little animal, indignantly.  Why, I am a Queen, the Queen of all the Field Mice!<span id="more-1395"></span></p>
<p>&#8222;Oh, indeed,&#8220; said the Woodman, making a bow. &#8222;Therefore you have done a great deed, as well as a brave one, in saving my life,&#8220; added the Queen. At that moment several mice were seen running up as fast as their little legs could carry them, and when they saw their Queen they exclaimed:</p>
<p>&#8222;Oh, your Majesty, we thought you would be killed! How did you manage to escape the great Wildcat?&#8220; They all bowed so low to the little Queen that they almost stood upon their heads. &#8222;This funny tin man,&#8220; she answered, &#8222;killed the Wildcat and saved my life. So hereafter you must all serve him, and obey his slightest wish.&#8220;</p>
<p>&#8222;We will!&#8220; cried all the mice, in a shrill chorus. And then they scampered in all directions, for Toto had awakened from his sleep, and seeing all these mice around him he gave one bark of delight and jumped right into the middle of the group. Toto had always loved to chase mice when he lived in Kansas, and he saw no harm in it.</p>
<p>He threw himself upon his back and fairly wallowed at my feet; jumped up and sprang upon me, rolling me upon the ground by his great weight; then wriggling and squirming around me like a playful puppy presenting its back for the petting it craves. I could not resist the ludicrousness of the spectacle, and holding my sides I rocked back and forth in the first laughter which had passed my lips in many days; the first, in fact, since the morning Powell had left camp when his horse, long unused, had precipitately and unexpectedly bucked him off headforemost into a pot of frijoles.</p>
<p>My laughter frightened Woola, his antics ceased and he crawled pitifully toward me, poking his ugly head far into my lap; and then I remembered what laughter signified on Mars—torture, suffering, death. Quieting myself, I rubbed the poor old fellow&#8217;s head and back, talked to him for a few minutes, and then in an authoritative tone commanded him to follow me, and arising started for the hills.</p>
<p>There was no further question of authority between us; Woola was my devoted slave from that moment hence, and I his only and undisputed master. My walk to the hills occupied but a few minutes, and I found nothing of particular interest to reward me. Numerous brilliantly colored and strangely formed wild flowers dotted the ravines and from the summit of the first hill I saw still other hills stretching off toward the north, and rising, one range above another, until lost in mountains of quite respectable dimensions; though I afterward found that only a few peaks on all Mars exceed four thousand feet in height; the suggestion of magnitude was merely relative.</p>
<p>My morning&#8217;s walk had been large with importance to me for it had resulted in a perfect understanding with Woola, upon whom Tars Tarkas relied for my safe keeping. I now knew that while theoretically a prisoner I was virtually free, and I hastened to regain the city limits before the defection of Woola could be discovered by his erstwhile masters. The adventure decided me never again to leave the limits of my prescribed stamping grounds until I was ready to venture forth for good and all, as it would certainly result in a curtailment of my liberties, as well as the probable death of Woola, were we to be discovered.</p>
<p>On regaining the plaza I had my third glimpse of the captive girl. She was standing with her guards before the entrance to the audience chamber, and as I approached she gave me one haughty glance and turned her back full upon me. The act was so womanly, so earthly womanly, that though it stung my pride it also warmed my heart with a feeling of companionship; it was good to know that someone else on Mars beside myself had human instincts of a civilized order, even though the manifestation of them was so painful and mortifying.</p>
<p>Had a green Martian woman desired to show dislike or contempt she would, in all likelihood, have done it with a sword thrust or a movement of her trigger finger; but as their sentiments are mostly atrophied it would have required a serious injury to have aroused such passions in them. Sola, let me add, was an exception; I never saw her perform a cruel or uncouth act, or fail in uniform kindliness and good nature. She was indeed, as her fellow Martian had said of her, an atavism; a dear and precious reversion to a former type of loved and loving ancestor.</p>
<p>Seeing that the prisoner seemed the center of attraction I halted to view the proceedings. I had not long to wait for presently Lorquas Ptomel and his retinue of chieftains approached the building and, signing the guards to follow with the prisoner entered the audience chamber. Realizing that I was a somewhat favored character, and also convinced that the warriors did not know of my proficiency in their language, as I had pleaded with Sola to keep this a secret on the grounds that I did not wish to be forced to talk with the men until I had perfectly mastered the Martian tongue, I chanced an attempt to enter the audience chamber and listen to the proceedings.</p>
<p>The council squatted upon the steps of the rostrum, while below them stood the prisoner and her two guards. I saw that one of the women was Sarkoja, and thus understood how she had been present at the hearing of the preceding day, the results of which she had reported to the occupants of our dormitory last night. Her attitude toward the captive was most harsh and brutal. When she held her, she sunk her rudimentary nails into the poor girl&#8217;s flesh, or twisted her arm in a most painful manner. When it was necessary to move from one spot to another she either jerked her roughly, or pushed her headlong before her. She seemed to be venting upon this poor defenseless creature all the hatred, cruelty, ferocity, and spite of her nine hundred years, backed by unguessable ages of fierce and brutal ancestors.</p>
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		<title>The Tin Woodman gave a sigh of satisfaction and lowered his axe</title>
		<link>https://www.konrad-wallinger.at/Archive/2801</link>
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		<pubDate>Sat, 03 Nov 2012 17:27:02 +0000</pubDate>
		<dc:creator><![CDATA[konrad]]></dc:creator>
				<category><![CDATA[Minimalism]]></category>
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		<description><![CDATA[&#8222;What can I do for you?&#8220; she inquired softly, for she was moved by the sad voice in which the man spoke. Get an oil-can and oil my joints,&#8220; he answered.  They are rusted so badly that I cannot move them at all; if I am well oiled I shall soon be all right again. &#8230;]]></description>
				<content:encoded><![CDATA[<p>&#8222;What can I do for you?&#8220; she inquired softly, for she was moved by the sad voice in which the man spoke. Get an oil-can and oil my joints,&#8220; he answered.  They are rusted so badly that I cannot move them at all; if I am well oiled I shall soon be all right again. You will find an oil-can on a shelf in my cottage. <span id="more-2801"></span></p>
<p>Dorothy at once ran back to the cottage and found the oil-can, and then she returned and asked anxiously, &#8222;Where are your joints?&#8220; Oil my neck, first,&#8220; replied the Tin Woodman. So she oiled it, and as it was quite badly rusted the Scarecrow took hold of the tin head and moved it gently from side to side until it worked freely, and then the man could turn it himself.</p>
<p>&#8222;Now oil the joints in my arms,&#8220; he said. And Dorothy oiled them and the Scarecrow bent them carefully until they were quite free from rust and as good as new.</p>
<p>The Tin Woodman gave a sigh of satisfaction and lowered his axe, which he leaned against the tree.</p>
<p>&#8222;This is a great comfort,&#8220; he said. &#8222;I have been holding that axe in the air ever since I rusted, and I&#8217;m glad to be able to put it down at last. Now, if you will oil the joints of my legs, I shall be all right once more.&#8220;</p>
<p>So they oiled his legs until he could move them freely; and he thanked them again and again for his release, for he seemed a very polite creature, and very grateful.</p>
<p>&#8222;I might have stood there always if you had not come along,&#8220; he said; &#8222;so you have certainly saved my life. How did you happen to be here?&#8220;</p>
<p>&#8222;We are on our way to the Emerald City to see the Great Oz,&#8220; she answered, &#8222;and we stopped at your cottage to pass the night.&#8220;</p>
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		<title>Post with link to elsewhere</title>
		<link>https://www.konrad-wallinger.at/Archive/2803</link>
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		<pubDate>Thu, 01 Nov 2012 17:10:10 +0000</pubDate>
		<dc:creator><![CDATA[konrad]]></dc:creator>
				<category><![CDATA[Minimalism]]></category>
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		<description><![CDATA[But what thinks Lazarus? Can he warm his blue hands by holding them up to the grand northern lights? Would not Lazarus rather be in Sumatra than here? Would he not far rather lay him down lengthwise along the line of the equator; yea, ye gods! go down to the fiery pit itself, in order &#8230;]]></description>
				<content:encoded><![CDATA[<p>But what thinks Lazarus? Can he warm his blue hands by holding them up to the grand northern lights? Would not Lazarus rather be in Sumatra than here? Would he not far rather lay him down lengthwise along the line of the equator; yea, ye gods! go down to the fiery pit itself, in order to keep out this frost?</p>
<p>Now, that Lazarus should lie stranded there on the curbstone before the door of Dives, this is more wonderful than that an iceberg should be moored to one of the Moluccas. Yet Dives himself, he too lives like a Czar in an ice palace made of frozen sighs, and being a president of a temperance society, he only drinks the tepid tears of orphans.</p>
<p>But no more of this blubbering now, we are going a-whaling, and there is plenty of that yet to come. Let us scrape the ice from our frosted feet, and see what sort of a place this &#8222;Spouter&#8220; may be.</p>
<p>Entering that gable-ended Spouter-Inn, you found yourself in a wide, low, straggling entry with old-fashioned wainscots, reminding one of the bulwarks of some condemned old craft. On one side hung a very large oilpainting so thoroughly besmoked, and every way defaced, that in the unequal crosslights by which you viewed it, it was only by diligent study and a series of systematic visits to it, and careful inquiry of the neighbors, that you could any way arrive at an understanding of its purpose. Such unaccountable masses of shades and shadows, that at first you almost thought some ambitious young artist, in the time of the New England hags, had endeavored to delineate chaos bewitched. But by dint of much and earnest contemplation, and oft repeated ponderings, and especially by throwing open the little window towards the back of the entry, you at last come to the conclusion that such an idea, however wild, might not be altogether unwarranted.</p>
<p>But what most puzzled and confounded you was a long, limber, portentous, black mass of something hovering in the centre of the picture over three blue, dim, perpendicular lines floating in a nameless yeast. A boggy, soggy, squitchy picture truly, enough to drive a nervous man distracted. Yet was there a sort of indefinite, half-attained, unimaginable sublimity about it that fairly froze you to it, till you involuntarily took an oath with yourself to find out what that marvellous painting meant. Ever and anon a bright, but, alas, deceptive idea would dart you through.—It&#8217;s the Black Sea in a midnight gale.—It&#8217;s the unnatural combat of the four primal elements.—It&#8217;s a blasted heath.—It&#8217;s a Hyperborean winter scene.—It&#8217;s the breaking-up of the icebound stream of Time. But at last all these fancies yielded to that one portentous something in the picture&#8217;s midst. THAT once found out, and all the rest were plain. But stop; does it not bear a faint resemblance to a gigantic fish? even the great leviathan himself?</p>
<p>In fact, the artist&#8217;s design seemed this: a final theory of my own, partly based upon the aggregated opinions of many aged persons with whom I conversed upon the subject. The picture represents a Cape-Horner in a great hurricane; the half-foundered ship weltering there with its three dismantled masts alone visible; and an exasperated whale, purposing to spring clean over the craft, is in the enormous act of impaling himself upon the three mast-heads.</p>
<p>The opposite wall of this entry was hung all over with a heathenish array of monstrous clubs and spears. Some were thickly set with glittering teeth resembling ivory saws; others were tufted with knots of human hair; and one was sickle-shaped, with a vast handle sweeping round like the segment made in the new-mown grass by a long-armed mower. You shuddered as you gazed, and wondered what monstrous cannibal and savage could ever have gone a death-harvesting with such a hacking, horrifying implement. Mixed with these were rusty old whaling lances and harpoons all broken and deformed. Some were storied weapons. With this once long lance, now wildly elbowed, fifty years ago did Nathan Swain kill fifteen whales between a sunrise and a sunset. And that harpoon—so like a corkscrew now—was flung in Javan seas, and run away with by a whale, years afterwards slain off the Cape of Blanco. The original iron entered nigh the tail, and, like a restless needle sojourning in the body of a man, travelled full forty feet, and at last was found imbedded in the hump.</p>
<p>Crossing this dusky entry, and on through yon low-arched way—cut through what in old times must have been a great central chimney with fireplaces all round—you enter the public room. A still duskier place is this, with such low ponderous beams above, and such old wrinkled planks beneath, that you would almost fancy you trod some old craft&#8217;s cockpits, especially of such a howling night, when this corner-anchored old ark rocked so furiously. On one side stood a long, low, shelf-like table covered with cracked glass cases, filled with dusty rarities gathered from this wide world&#8217;s remotest nooks. Projecting from the further angle of the room stands a dark-looking den—the bar—a rude attempt at a right whale&#8217;s head. Be that how it may, there stands the vast arched bone of the whale&#8217;s jaw, so wide, a coach might almost drive beneath it. Within are shabby shelves, ranged round with old decanters, bottles, flasks; and in those jaws of swift destruction, like another cursed Jonah (by which name indeed they called him), bustles a little withered old man, who, for their money, dearly sells the sailors deliriums and death.</p>
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